In March 2016 propagandists, located (according to Google Analytics) in Saint Petersburg, infiltrated my blog lookingfordrama.com. ‘Vote Trump!’ They urged on a number of posts about Catalan theatre productions. Of course it’s nice to receive any comments, but it was disconcerting that having perused my online persona (courtesy of Facebook) my unwanted guests would have… Read more »
In this age of heavy words lightly thrown, the excellent contemporary dance troupe Mal Pelo offer a beautifully-wrought farce, a caustic yet sincere solo, performed by Pep Ramis, that counts on the input of playwright and theatre director Jordi Casanovas and French/Catalan physical theatre troupe Baró d’evel. Through 60 minutes we follow Ramis on his… Read more »
This Catalan adaptation of British playwright Hattie Naylor’s multilayered play Going Dark is an understated yet cosmically ambitious production that transforms the Espai Lliure into a planetarium; a claustrophobic yet mentally expansive dark space, where the wonders of the universe are projected onto a stage dressed up as moon’s surface. With significantly fewer resources than… Read more »
In this confident yet complex dance piece by Christian Rizzo, the simplicity and joy inherent in the creation of a community, the subject of his acclaimed 2013 work D’après une histoire vraie (based on a true story), is lifted into abstraction. In Une maison (a house), 14 dancers form fleeting connections that fail to leave… Read more »
The circus and performing arts troupe Baró d’evel, formed by the award-winning French/Catalan duo Camille Decourtye and Blaï Mateu Trias, expands its repertoire with a smart and sophisticated production for eight human performers, one white horse and a flock of pigeons. Falaise, that premiered at Barcelona’s Grec festival in July, is the second half of… Read more »
Grec Festival offers a great opportunity to experience a work by the Australian choreographer Lucy Guerin. For nearly 20 years, this Adelaide-born choreographer has been a reference point in contemporary dance, working out of Melbourne’s sophisticated and individualistic independent dance scene. Split, the word implying a forced, irreversible division, works on levels that are personal,… Read more »
In a two-hour block separated into segments, the Swiss production 120 Days of Sodom carefully dismantles Pier Paolo Pasolini’s notorious ‘art horror’ film, released in 1975. Based on the writings of the Marques de Sade (interest in whose work never seems to fade) it tells the story of a group of fascists who kidnap 18… Read more »
Citing the influence of physicist Stephen Hawking and the author Jorge Luis Borges, and using Bernard Herrmann’s musical score from the Hitchcock film Vertigo for its scene changes, 4D Òptic by the Argentine playwright and director Javier Daulte marks an exciting trip into 2019. This “restoration, not revival,” of Daulte’s 2004 play is absolutely in… Read more »
This pitch-perfect Catalan production captures the comedy and charm of Sarah Ruhl’s provocative play In the Next Room / L’habitació del costat. Set in America in the late 19th century, at the time of Thomas Edison’s invention of electrical lighting, the pioneering Dr. Givings receives female patients complaining of ‘hysteria’, to whom he applies a recent… Read more »
In the entertaining thriller play Cronología de las Bestias, written and directed by the Argentine Lautaro Perotti, Spanish actress Carmen Machi is unforgettable as Olvido, a beer-swilling mother with a strange fixation on the washing machine, whose missing son Beltrán shows up behind the sofa after a 12 year absence. Instantly recognised by his antsy aunt… Read more »
