Jetse Batelaan: Creating a Whole New Story

Photo courtesy of la Biennale di Venezia / A Avezzù

Amidst the chaos: injustices, strikes, rabid press reports, soaring temperatures and prices, it’s hard to know what to do with the kids. Do we take them to the aquarium (of dubious ethics), the zoo (worse), a football match (potentially inciting a negative spirit of rivalry), or leave them locked in their rooms to play violent… Read more »

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Abans que es faci fosc: multiple universes

Abans que es faci fosc - photo: David Ruano

This Catalan adaptation of British playwright Hattie Naylor’s multilayered play Going Dark is an understated yet cosmically ambitious production that transforms the Espai Lliure into a planetarium; a claustrophobic yet mentally expansive dark space, where the wonders of the universe are projected onto a stage dressed up as moon’s surface. With significantly fewer resources than… Read more »

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Falaise: the contemporary voice of Baró d’Evel

Falaise by Baró d'evel

The circus and performing arts troupe Baró d’evel, formed by the award-winning French/Catalan duo Camille Decourtye and Blaï Mateu Trias, expands its repertoire with a smart and sophisticated production for eight human performers, one white horse and a flock of pigeons. Falaise, that premiered at Barcelona’s Grec festival in July, is the second half of… Read more »

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Minefield / Campo Minado: theatre of war by Lola Arias

Minefield / Campo Minado is a bilingual theatre piece that reunites Argentine and British veterans from the Falklands/Malvinas war nearly four decades on. The production premiered in London in 2016 in the run up to the Brexit referendum. Looking for Drama spoke to its creator, Lola Arias, about the project, its impact and its relevance… Read more »

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Split – Lucy Guerin Inc.

Grec Festival offers a great opportunity to experience a work by the Australian choreographer Lucy Guerin. For nearly 20 years, this Adelaide-born choreographer has been a reference point in contemporary dance, working out of Melbourne’s sophisticated and individualistic independent dance scene. Split, the word implying a forced, irreversible division, works on levels that are personal,… Read more »

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Die 120 Tage Von Sodom: Sex, scatology and deadpan humour

In a two-hour block separated into segments, the Swiss production 120 Days of Sodom carefully dismantles Pier Paolo Pasolini’s notorious ‘art horror’ film, released in 1975. Based on the writings of the Marques de Sade (interest in whose work never seems to fade) it tells the story of a group of fascists who kidnap 18… Read more »

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4D Òptic: Emotional Science

Citing the influence of physicist Stephen Hawking and the author Jorge Luis Borges, and using Bernard Herrmann’s musical score from the Hitchcock film Vertigo for its scene changes, 4D Òptic by the Argentine playwright and director Javier Daulte marks an exciting trip into 2019. This “restoration, not revival,” of Daulte’s 2004 play is absolutely in… Read more »

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M. Linh and His Child: a Story of Solitude and Sanctuary

Lluis Homar stars in La néta del senyor Linh. Photo: David Ruano

Philippe Claudel’s best-selling short novel is brought to the Catalan stage in a theatrical collaboration between Belgian director Guy Cassiers and Catalan actor Lluís Homar. based on a Belgian production, La néta del senyor Linh is a poetic reflection on the fortitude and fragility of human relationships. Monsieur Linh is an elderly refugee who arrives on a ship… Read more »

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The Vibrator Play: Power to the Passions

L'habitació del costat (In the Next Room)

This pitch-perfect Catalan production captures the comedy and charm of Sarah Ruhl’s provocative play In the Next Room / L’habitació del costat. Set in America in the late 19th century, at the time of Thomas Edison’s invention of electrical lighting, the pioneering Dr. Givings receives female patients complaining of ‘hysteria’, to whom he applies a recent… Read more »

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