This quietly brilliant play by American playwright Annie Baker makes for gripping viewing in an excellent Catalan adaptation directed by Marilia Samper. At over three hours long (with a short interval), El cine (The Flick) weaves slow magic from the mundane setting of a battered Massachusetts cinema in the early 2010s. It could be the… Read more »
Category: Theatre
Love, Love, Love: the hippy heart of neoliberalism
Constant shifts in perspective and playful music and visuals dynamise this Catalan production of English playwright Mike Bartlett’s Love, Love, Love (2010), translated by Cristina Genebat and directed by Julio Manrique. The title is taken from the famous Beatles’ track. The time-leaping production begins in 1967. Kenneth (a self-consciously suave David Selvas) is a 19-year-old Oxford… Read more »
Lost and found – El mar: visió d’uns nens que no l’han vist mai
Antoni Benaiges was born in 1903 into a Catalan family of rural republicans living in Montroig, Tarragona. He trained as a ‘mestre’, a teacher, and on graduating found work in a mixed school in a tiny village in Bañuelos de Bureba, Burgos. There, in a brief two years, Benaiges quietly revolutionised the lives of the… Read more »
Isango Ensemble: less resilience, more rage
Heavy themes of war, poverty, racial and gender violence are lightly thrown in A Man of Good Hope, a slick musical theatre production in English set in Africa and performed by Cape Town company Isango Ensemble. Based on 2014 book by white academic Jonny Steinberg, it tells the story in song, dance and narration of… Read more »
La Estampida: at the tipping point of fame
“In Cádiz where I was born there was a place I loved called Palacio de la Moda. You’d go in and there were mirrors everywhere: on the walls, on the ceiling. You drowned in the spectacle of yourself.” José Troncoso is director of La Estampida, a Spanish theatre collective that burst onto the scene eight… Read more »
La Víctor C.: a window onto a landscape
The judges at Jocs Florals d’Olot in 1898 reacted in shock when they discovered the author of the prize-winning short story Infanticide was in fact a woman, Catalina Albert i Paradis. It was simply unheard of that one of youth and privilege from the pretty L’Escala in coastal Empordà (Catalonia) could be capable of broaching… Read more »
Jo dona. A Lili Elbe: a timely tribute on a troubled landscape
When the prestigious choreographer Marta Carrasco convinced Albert Hurtado, the charismatic zumba teacher at her local gym to cross-dress before a live audience at the TNC, how could he refuse? The result, the breezy performance piece Jo, dona. A Lili Elbe., a heartfelt tribute to Lili Elbe: a Danish landscape painter and transgender woman, and… Read more »
Running for Democracy: majority and morality rule
The Teatre Nacional de Catalunya launched its new season in dramatic weather last Saturday which seemed generated for the occasion. The theatre’s pledge to open ‘a gateway to the world’ – written in bold deep-blue letters across the entrance – gave way into something more ambitious and self-aware: that vast spacey lobby that you feel… Read more »
It Don’t Worry Me: the Anatomy of Theatre
In March 2016 propagandists, located (according to Google Analytics) in Saint Petersburg, infiltrated my blog lookingfordrama.com. ‘Vote Trump!’ They urged on a number of posts about Catalan theatre productions. Of course it’s nice to receive any comments, but it was disconcerting that having perused my online persona (courtesy of Facebook) my unwanted guests would have… Read more »
Jetse Batelaan: a whole new story
Amidst the chaos: injustices, strikes, rabid press reports, soaring temperatures and prices, it’s hard to know what to do with the kids. Do we take them to the aquarium (of dubious ethics), the zoo (worse), a football match (potentially inciting a negative spirit of rivalry), or leave them locked in their rooms to play violent… Read more »