Tag: stage

WHAT’S ON? Hedda Gabler by Henrik Ibsen, dir. David Selvas

After the phenomenal success of A Dolls House (1879), Hedda Gabler (1891) by Norwegian master playwright Henrik Ibsen, didn’t go down that well with late 19th century audiences. Instead of overtly attacking the establishment, most particularly the crappy controlled lives of women, Hedda was considered an arrogant, power-crazed, unfeeling figure – a study in mental illness,… Read more »

Share

REVIEW: L’Estranger (L’Étranger – The Stranger) by Albert Camus, dir. Carles Alfaro

A surprisingly effective dramatization of Albert Camus‘ unsettling little novel L’Étranger (1942) (The Stranger in English, L’Estranger in Catalan) puts existential angst back on the table. Adapted by Rodolf Sirera and Carles Alfaro, who directed the play at the Gràcia Lliure theatre in Barcelona, L’Estranger is staged with perfect simplicity. The setting throughout the single-act performance is the prison cell from… Read more »

Share

REVIEW: Si No Ens Paguen, No Paguem! Teatre de l’Enjòlit

Si no ens paguen, no paguem! (Can’t Pay? Won’t Pay!) is a satirical family drama written in 1974 by Nobel prize-winning Italian Dario Fo. In the play, two working class housewives resort to robbery as a means of feeding their poorly paid husbands at a time of economic stress. In this entertaining, updated Catalan version,… Read more »

Share

REVIEW: Dispara / Agafa Tresor / Repeteix dir. Josep Maria Mestres

Seven interconnected mini-plays, selected and reshuffled from the 16 that comprise Shoot / Get Treasure / Repeat, bring coherence and resonance to Mark Ravenhill‘s satirical text, that explores the effects of war on our personal relationships and public lives. Directed by Josep Maria Mestres and staged at Barcelona’s Teatre Lliure, Dispara / Agafa Tresor / Repeteix is an unflinching, funny and… Read more »

Share

REVIEW: Los Hijos se han Dormido, dir. Daniel Veronese

Anton Chekhov’s The Seagull (1896), a quietly unsettling “comedy in four acts”, is pepped up in Argentinian director Daniel Veronese‘s abridged Spanish version, Los Hijos Se Han Dormido. The setting is rural Russia, where a group of ‘artists’ – some past their best, others frustrated with their future, a third lot not able to enjoy their… Read more »

Share

REVIEW: The Master and Margarita – Complicite / Simon McBurney

0 0 1 144 821 6 1 964 14.0 Normal 0 false false false EN-US JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:”Table Normal”; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:””; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; mso-pagination:widow-orphan; font-size:10.0pt; font-family:Cambria; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-fareast-language:JA;} Like being sucked into a massive time-travelling Google Earth then shuttled… Read more »

Share

REVIEW: Pau Miró’s Els Jugadors (The Players)

Prolonged! See it at Lliure – Gràcia between 20th June and 1st July. It’s one of those Barcelona kitchens that look like it was added on as an afterthought. A microwave best kept clear of, a crappy radio, empty bottles of Gin Giro clustering on grimy surfaces with other even less salubrious brands.

Share