In a two-hour block separated into segments, the Swiss production 120 Days of Sodom carefully dismantles Pier Paolo Pasolini’s notorious ‘art horror’ film, released in 1975. Based on the writings of the Marques de Sade (interest in whose work never seems to fade) it tells the story of a group of fascists who kidnap 18… Read more »
Citing the influence of physicist Stephen Hawking and the author Jorge Luis Borges, and using Bernard Herrmann’s musical score from the Hitchcock film Vertigo for its scene changes, 4D Òptic by the Argentine playwright and director Javier Daulte marks an exciting trip into 2019. This “restoration, not revival,” of Daulte’s 2004 play is absolutely in… Read more »
Philippe Claudel’s best-selling short novel is brought to the Catalan stage in a theatrical collaboration between Belgian director Guy Cassiers and Catalan actor Lluís Homar. based on a Belgian production, La néta del senyor Linh is a poetic reflection on the fortitude and fragility of human relationships. Monsieur Linh is an elderly refugee who arrives on a ship… Read more »
This pitch-perfect Catalan production captures the comedy and charm of Sarah Ruhl’s provocative play In the Next Room / L’habitació del costat. Set in America in the late 19th century, at the time of Thomas Edison’s invention of electrical lighting, the pioneering Dr. Givings receives female patients complaining of ‘hysteria’, to whom he applies a recent… Read more »
In the entertaining thriller play Cronología de las Bestias, written and directed by the Argentine Lautaro Perotti, Spanish actress Carmen Machi is unforgettable as Olvido, a beer-swilling mother with a strange fixation on the washing machine, whose missing son Beltrán shows up behind the sofa after a 12 year absence. Instantly recognised by his antsy aunt… Read more »
Elisabet Casanovas gives an impressive yet exhausting performance as Kassandra. This excessively didactic play by Sergio Blanco is based on the figure of Greek tragedy who was cursed with the power of prophecy yet further cursed to never be believed. This familiar part of the tale was dropped in near the end with a tarot card… Read more »
Like his first piece, Living With the Lights On, Mark Lockyer’s “love letter to Spain” is an intense, sprawling monologue of inner and outer experiences, realisations of recent and distant past, delivered in an entertaining attack of sincerity. Unlike his first piece, Keep on Walking, Federico is set in an anonymous “authentically Spanish” village on the… Read more »
Frenchman Bertrand Lesca and British-Greek Nasi Voutsas take on the EU and the Syrian crisis in the first two parts of a subversive ‘accidental trilogy’ bound by an austere tragicomic visual language. Accessible and entertaining, expect big themes, character-driven performances and the capacity to shift the mood very suddenly from light to dark. EUROHOUSE Developed… Read more »
In this fabulously intense and manipulative Spanish-language drama by Franco-Uruguayan playwright Sergio Blanco, Martín, a young man who has murdered his father, becomes a material resource for S, an earnest if smug playwright-professor. The latter wants to make a play about parricide, a modern theatrical take on the Greek tragedy Oedipus Rex; the former is… Read more »
With a title that evokes the Patrick Marber play about the desire for yet failure to achieve intimacy, Thomas Noone breaks apart its 2-couple dynamic with a six dancer piece, saying that it is the audience in this case that he wants to get closer to. The public sit on both sides as well as… Read more »
