Is it possible to reinvent yourself completely? After all, it gets to the point when you just don’t feel like you. Pick a university in some far-off town, move house, dump your partner, move abroad… Some call it running away; some call it finding yourself. ‘Course, ‘you’ are the least of your problems: family, mates,… Read more »
Tag: culture
Loop Art and the Meaning of Engels
It’s only a matter of time before everything turns into bad theatre. Oh, the theme park that history becomes! All those momentous events and monumental ideologies… Walls slapped up and beaten down. Files filed and family members disappeared. Slivers of land fought and died for. Gruff men with bushy beards, whose big ideas engulfed 20, 50 years, entire lifetimes. All of… Read more »
Estudio Nómada – Loop art route around the Barri Gòtic
Creator versus curator… aye, that old chestnut. Seriously, who wants to sleep with the guy with the great music collection to the same extent as he who composes his own minuets? And yet, when it comes to the visual arts, perhaps it’s worth reconsidering.* On Saturday afternoon I enjoyed a wee stroll through Barcelona’s Barri Gòtic, refreshingly deserted as a storm… Read more »
What’s On? Richard MacDonald sculptures at Barcelona’s MEAM
Only in the heights of extreme physical pain can one feel relief from the constant emotional torture. I reckon that’s the whole point behind study, sport, really loud concerts and really long after-parties … and thank god (we hope) that something might do it! albeit for a very short time. In this spirit, Richard MacDonald creates small, life-sized and… Read more »
REVIEW: El policía de las ratas – dir. Àlex Rigola / cia. Heartbreak Hotel
El policía de las ratas (Police Rat) is a wonderfully intense Spanish-language 2-man play directed by Àlex Rigola. It is based on the short story by the Chilean writer Roberto Bolaño, “one of the most improbable international literary celebrities since William Burroughs”, according to the New York Times (who doesn’t give any further explanation). Possibly the… Read more »
REVIEW: Un Trozo Invisible de Este Mundo by Juan Diego Botto
Teatre Lliure – Barcelona until September 29, 2013 The scene is set like a graveyard for dead baggage. A conveyor belt-cum-catwalk splits the stage, churning out luggage at varying speeds and quantities, some shrink-wrapped, some fancy, some battered and broken; without address tags or flight information, they seem mysteriously to vanish once they drop off… Read more »
WHAT’S ON? Tragèdies Romanes (Roman Tragedies) Toneelgroep Amsterdam
Teatre Lliure Montjuic, July 6th – 7th, 2013 With the Egyptian mess splashed all over the media, you don’t need to have read William Shakespeare’s triple-political-whammy of Roman tragedies, Coriolanus, Julius Caesar and Antony and Cleopatra, in any language, to feel a familiar sense of involvement yet distance, shock yet predictability, a sense of being… Read more »
REVIEW: L’Onada (The Wave) dir. Marc Montserrat Drukker
Since time immemorial emotional impact has meant more than logic. More exciting, more dynamic and more persuasive than its grumbling counterpart – that harps on about niggling things, like fact and detail, profundity and practicality – it is ‘impulse’ or, euphemistically speaking, ‘intuition’ that packs the punch behind instant big decisions. Thus, we spent thousands… Read more »
WHAT’S ON? Hedda Gabler by Henrik Ibsen, dir. David Selvas
After the phenomenal success of A Dolls House (1879), Hedda Gabler (1891) by Norwegian master playwright Henrik Ibsen, didn’t go down that well with late 19th century audiences. Instead of overtly attacking the establishment, most particularly the crappy controlled lives of women, Hedda was considered an arrogant, power-crazed, unfeeling figure – a study in mental illness,… Read more »
REVIEW: L’Estranger (L’Étranger – The Stranger) by Albert Camus, dir. Carles Alfaro
A surprisingly effective dramatization of Albert Camus‘ unsettling little novel L’Étranger (1942) (The Stranger in English, L’Estranger in Catalan) puts existential angst back on the table. Adapted by Rodolf Sirera and Carles Alfaro, who directed the play at the Gràcia Lliure theatre in Barcelona, L’Estranger is staged with perfect simplicity. The setting throughout the single-act performance is the prison cell from… Read more »