Category: Review

BEEN & GONE: LEM end – Institut Fatima nibble the fingers that feed them, Cargo go safari.

  Can music experiment and engage at the same time? Can it remain individual and also reach a public without compromising that? Does it matter? LEM festival uses its experimental tag very liberally, but if there’s one thing that struck me this year it’s that it all depends on the space. La Fontana is a very ‘public’… Read more »

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La last night at LEM

The problem with multi-band experiences is: if bands are similar in genre, they bleed into each other; if they’re not, as Cargo, Graves and Institut Fatima (see photo) definitely weren’t last night, you have to emotionally adjust, which is work for a Saturday night, let’s be honest. Still, the venue La Fontana is cool. It’s enormous, and lies… Read more »

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Purity Imperfect – Carlos Zingaro

For the second LEM concert held in Macba’s chilly auditorium, last night, ZNGR Electroacoustic Ensemble: Carlos Zingaro (in the middle) flanked by an equally serious Emidio Buchino (right) and Carlos Santos (left), met with a smattering of souls and an awestruck silence. A classically-trained violinist, Portuguese Zingaro is a LEM pioneer, having worked with the festival from the… Read more »

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Ballets Russes, the show.

Felia Doubrovska is               The Firebird (1910) In 1909, a troupe of Russian dancers embarked on a whirlwind 20-year tour of Europe that was to sex-up ballet considerably. Hitherto a fluffy thing stuffed between opera acts, dance became a multidisciplinary multi-sensorial extravaganza that shocked the most enlightened of Parisian… Read more »

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Apocalyptic dance at LEM

  Soizu: a freakishly good butoh performance that formed an unexpected part of LEM music festival. Held at the dance space la Caldera this outrageously disturbing act was made more so by the fact that many in the audience seemed non-plussed by it. On a sparse, ripped up landscape, to the grinding soundscape of Iker Ormazábal, formidable dancer… Read more »

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