The Spanish press called it ‘relevant’, ‘prescient’ even ‘prophetic’ (La Vanguardia). Quitt, based on the 1973 play by Austrian political playwright Peter Handke, and adapted for the Teatre Lliure by artistic director Lluís Pascual, was a thoughtful and entertaining piece – yet it was too easy on the audience.
Author: Alx Phillips
LINKS: Paradoxes of the anti-capitalist kind
Click here for Andy Beckett’s excellent book review of Paul Mason’s Why It’s Kicking Off Everywhere. “The failings of the free market may have given the protesters their cause … but the free market has also given them the means to take political advantage.” Click here for Tom Lamont’s interview with Alan Moore, the creator… Read more »
IMAGE: Threats and extortion
Strict austerity measures having had the opposite effect, El Corte Ingles and Transports Metropolitans de Barcelona further contribute to the recession.
IMAGE: Power to the press
WHAT’S ON? Quitt
Lluís Pasqual, director of Barcelona’s most international theatre, Teatre Lliure, has announced that a government budget cut of €614.000 has forced the theatre to end its main season in May, and cancel three productions in their entirety.
WHAT’S ON? Playing with Fire
More DRAMA this weekend as actor and director Julian Wickham makes his debut as a playwright. Playing With Fire puts the acquired skills of students from his Barcelona-based English Drama School to the test.
WHAT’S ON? Glengarry Glen Ross
Sharp, snazzy adaptation of David Mamet’s brutal comedy, with the ingenious twist of an all-female cast. Best €8 I’ve spent in while. See it next weekend at the Riereta (take gloves). There are surtitles in Catalan.
DRAMATIC EXIT pt.3: the full sweep
last week on DRAMATIC EXIT … In the sneak out we explored what to do when enough is enough and even a “goodbye” seems superfluous. In the scatter we covered how a public exit, executed with panache, can rattle up sad and sedentary members of society, and shine an interrogatory light on the more ridiculous… Read more »
DRAMATIC EXIT pt.2: the scatter
In the second of three imperative posts, I introduce a means of getting the hell out of there with the maximum fuss possible. This – very public – withdrawal comes into play when one wishes to fritter up one’s dispassionate, glum and/or anti-social companions on a bus or a subway journey: the type of folk with… Read more »
DRAMATIC EXIT pt.1: the sneak out
There is nothing like a dramatic exit to strike a line through the evening. It’s undignified, childish, and you may be excruciatingly embarrassed afterwards, but for once you’ll have something to write home about. Good cause is important, but so too is to know your own limits. Though the culprit may merely have ‘tipped the… Read more »