Tag: Catalan theatre

Lost and found – El mar: visió d’uns nens que no l’han vist mai

Antoni Benaiges was born in 1903 into a Catalan family of rural republicans living in Montroig, Tarragona. He trained as a ‘mestre’, a teacher, and on graduating found work in a mixed school in a tiny village in Bañuelos de Bureba, Burgos. There, in a brief two years, Benaiges quietly revolutionised the lives of the… Read more »

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Running for Democracy: majority and morality rule

The Teatre Nacional de Catalunya launched its new season in dramatic weather last Saturday which seemed generated for the occasion. The theatre’s pledge to open ‘a gateway to the world’ – written in bold deep-blue letters across the entrance – gave way into something more ambitious and self-aware: that vast spacey lobby that you feel… Read more »

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La Calavera de Connemara: Grave Matter

The proposition to exhume the remains of fascist dictator Francisco Franco after nearly half a decade resting in peace in a state-funded mausoleum, puts a grave twist on Martin McDonagh’s A Skull in Connemara that makes a return to Barcelona’s La Villarroel in an energetic Catalan version directed by Iván Morales. Set in the district… Read more »

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Jane Eyre: Love and Liberation

Ariadna Gil as Jane Eyre. Photo © Ros Ribas

Featuring a breathtaking performance by Ariadna Gil, this Catalan theatre adaptation of Charlotte Brontë’s Jane Eyre distances itself from the wild Yorkshire moors, and reimagines the north as an anonymous lobby, with a grand piano and four identical doors, reflected ad infinitum in big mirrors at each end. Gil plays the lead in a permanent state of… Read more »

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L’inframón: the Dark Side of the Virtual World

L'inframón (The Nether) by Jennifer Haley, at Teatre Lliure Gràcia, Barcelona Sept 22 - Oct 16, 2016. Photo: Ros Ribas.

Sci-fi thriller The Nether (L’inframón), by American playwright Jennifer Haley, is back at Teatre Lliure in Gràcia this autumn after a spell at the Grec Festival in July. The contemporary play, brought to the Catalan stage under the direction of Juan Carlos Martel Bayod, deals with portentous, worrying themes; questioning the sanctity of the virtual realm as a ‘safe… Read more »

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Splendour (Esplendor) – Abi Morgan’s play of Ice and Fireworks

Esplendor (Splendour) by Abi Morgan, directed by Carme Portaceli. Photo: Albert Armengol

Four women gather in a luxurious residence in an unknown state in civil war. It’s the home of Micheleine and her absent husband, ‘an important man’, whom Katheryn, a foreign photojournalist, has come to shoot. They wait with Katheryn’s young guide and translator Gilma, a hungry woman with greasy fingers, deep pockets and shoes that mud… Read more »

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Pujol, the play – Corruption of the Catalan Kind

The playwright Jordi Casanovas, author of the forthcoming play Pujol. Photo

A forthcoming Catalan-language play by Jordi Casanovas (pictured above) takes on the charismatic, disgraced Catalan ex-premier Jordi Pujol, the former president of the regional ‘Generalitat’ government (1989 to 2003), who, in 2014, admitted to holding undeclared millions in secret foreign bank accounts for a period of 34 years. While he claimed the cash to be an inheritance, the 85-year-old Pujol and… Read more »

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Review: Lost in Lear, Saved by Edmund!

Rei Lear director Lluis Pasqual, photo: Ros Ribas

Almost all hope of gender intrigue dissolved in the outdated absurdity and odd ‘masculinity’ of this Catalan-language version of a female King Lear (Rei Lear)! This not very Christmassy Shakespearean tragedy, about an old king flattered and then betrayed by his daughters, is glum enough as it is – but this was indeed a most disheartening production!… Read more »

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